![]() 7520 Cavendish Road ~ Hunter River R.R#2 ~ Prince Edward Island ~ CANADA ~ C0A 1N0 (902) 963-2837 ~ brian@bckingston.com |
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- Tom Ribbecke |
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| Fusion | ||||||||||||||||
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Ted McCarty ran Gibson Guitars from 1950 - 1966; a golden era even in that companies long and proud history. Many would argue that the highlight of his tenure was the introduction of the "335" thinline in 1958. These semi-acoustic guitars have a solid maple block thru the center of the guitar designed to emphasize solid-body type sustain and to minimize feedback. The hollow "tone chambers" provided a depth of tonal colors not possible with solid bodies. The Fusion is my take on this venerable guitar. To find more tone I've replaced the plywood top, back and sides of the "335" with solid select tone woods. The Fusions mahagony neck, sides, kerfing, centerblock and fully carved back form a homogenous unit that really warms the tone and feeds the sustain. When the bite of the fully carved premium quilted or European curly maple top is coupled with the clarity, articulation and punch of the custom order Lindy Fralin humbuckers and added to the equation; the result is that the Fusion is capable of almost pure acoustic sounds right up thru those big, fat, creamy Duane Allman sounds.
"....I play a lot of Jazz and Smooth Jazz.Your guitar is the perfect instrument for me.I used to take three different guitars on a gig,but now,I only play the Kingston Fusion and it works for everything." Prof. Dr. Stefan Alkier
A 2-way adjustable truss rod is flanked on each side by carbon fiber rods that extend from the peghead all the way past the neck joint to the 21st fret. This increases neck stiffness and sustain while adding little extra weight and eliminating the possibility of "deadspots". The plastic bindings of the "335" have been replaced with bindings/purflings of solid ebony and curly maple, and I believe this also adds to the tone and sustain. The 3-way toggle switch has been replaced with an ultrasmooth 5-way lever switch very accessibly located just off the volume control. The face mounted input jack has been replaced by a flushmount jack installed in the side on the treble side, lowerbout. Unprecedented access to the switch and all electronics is afforded by a small oval access hole in the back. The 3 versions I offer of the Fusion are: |
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Body Measurements -
Neck Measurements -
Tops - fully hand carved solid select quilted maple, or, European curly maple; or, European spruce Backs - fully hand carved solid select mahogony; or European curly maple Sides - to match backs Necks - select mahogony Fretboards, headcap face, pickguard - solid ebony Bindings/Purflings: solid ebony and curly maple combinations - all fabricated in shop
Position markers - MOP triangle sequence on fretboard with 2mm MOP side position dots Neck particulars - 2-way LMI adjustable truss rod with carbon fiber rods on each side from peghead to 21st fret Pickups - custom Lindy Fralin humbuckers; 8K at neck and 9K at bridge Frets - jumbo Nut - bone Bridge - tuneamatic, nickel Tailpiece - stop tailpiece, nickel Switch - lever, 5-way P-Model Megaswitch yielding Controls - Master volume, master tone Jack - flushmount, located in side on treble side lowerbout Finishes -
Machine Heads - locking Sperzel tuners, black Case - TDK Options -
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